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Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Open a larger version of the following image in a popup: Takuma Tanaka, Capitalism and Forbidden Fruit, 2024

Takuma Tanaka Japanese, b. 1977

Capitalism and Forbidden Fruit, 2024
Oil on Canvas
63 3/4 x 152 3/4 in.
162 x 388 cm
Copyright The Artist
$ 20,000.00
Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Sold
Takuma Tanaka, Capitalism and Forbidden Fruit, 2024
Sold
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Visualisation

On a Wall
This artwork presents a vibrant and surreal dreamscape filled with floral imagery, abstract figures, and a sense of movement reminiscent of Henri Matisse’s 'The Dance.' The swirling, interconnected yellow figures...
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This artwork presents a vibrant and surreal dreamscape filled with floral imagery, abstract figures, and a sense of movement reminiscent of Henri Matisse’s "The Dance." The swirling, interconnected yellow figures appear to be caught in a celebratory yet mysterious ritual, forming a composition that emphasizes both unity and ambiguity. The phrase "Money is Coming" dominates the center of the image, adding a layer of meaning that contrasts with the organic beauty of the scene. This phrase, paired with "Our Future is Amazing!!", suggests themes of optimism, manifestation, or even irony in the pursuit of wealth and prosperity.


The central cat-rabbit figure, devoid of expression, becomes a focal point of uncertainty. While the surrounding figures appear to celebrate or engage in a rhythmic dance, this character’s stillness hints at deeper symbolism—perhaps representing sacrifice, detachment, or a passive recipient of fate. The snake feeding a heart into the mouth of the pink vessel adds another layer of mysticism, raising questions about desire, temptation, and transformation.


Much like Matisse’s "The Dance," this composition uses fluid lines, bold color contrasts, and a circular arrangement of figures to create a sense of movement and ritual. However, while Matisse’s work conveys pure joy and unity, this piece introduces an undercurrent of unease—beautiful things paired with danger. The joyous colors and floral motifs provide an illusion of paradise, yet something eerie lingers beneath the surface, making the viewer question whether this is a celebration or a symbolic sacrifice.


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