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Money covers all over the world by Takuma Tanaka – full view of the panoramic canvas with two dark skull figures amid colourful splatters and drips
Money covers all over the world by Takuma Tanaka – full view of the panoramic canvas with two dark skull figures amid colourful splatters and drips
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Money covers all over the world by Takuma Tanaka – in-situ in a white skylit gallery space
Money covers all over the world by Takuma Tanaka – in-situ in a white skylit gallery space
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Money covers all over the world by Takuma Tanaka – detail of a skull with dollar-sign eyes and white teeth
Money covers all over the world by Takuma Tanaka – detail of a skull with dollar-sign eyes and white teeth
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Money covers all over the world by Takuma Tanaka – detail of red, blue and pink paint drips
Money covers all over the world by Takuma Tanaka – detail of red, blue and pink paint drips
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Money covers all over the world by Takuma Tanaka – detail of the handwritten words "Think and Grow Rich"
Money covers all over the world by Takuma Tanaka – detail of the handwritten words "Think and Grow Rich"
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Money covers all over the world by Takuma Tanaka – detail of the handwritten words "New York New York"
Money covers all over the world by Takuma Tanaka – detail of the handwritten words "New York New York"
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Money covers all over the world by Takuma Tanaka – detail of an eye symbol and the handwritten words "We need real love"
Money covers all over the world by Takuma Tanaka – detail of an eye symbol and the handwritten words "We need real love"
Takuma Tanaka Japanese, 1977
Money covers all over the world, 2022
Oil on canvas
76 3/8 x 127 1/2 in
194 x 323.9 cm
194 x 323.9 cm
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A two-panel rewrite of the Wind God and Thunder God. Tanaka’s own line: it sheds light on “the problem of today’s money-centered society.” Skull faces, dollar signs, red dots, gold,...
A two-panel rewrite of the Wind God and Thunder God. Tanaka’s own line: it sheds light on “the problem of today’s money-centered society.” Skull faces, dollar signs, red dots, gold, and paint running down both panels. The old Japanese pair, redone for a world that cannot stop counting.
If Capitalism and Forbidden Fruit is the party, this is the storm outside it. Same series, same scale of wall. Collectors who take it are usually the ones who want the critique without losing the charge — a picture that is loud, Japanese, and completely of now.
Exposiciones
HOLOGRAM the whole story, Miami, The Wall art gallery, 2022Don't Think, Feel, Miami solo show The Wall art gallery 2026
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