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Untitled (Collage 3) by Aurélien Couput, full view
Untitled (Collage 3) by Aurélien Couput, full view
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Untitled (Collage 3) by Aurélien Couput, shown in situ
Untitled (Collage 3) by Aurélien Couput, shown in situ
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Untitled (Collage 3) by Aurélien Couput, shown in situ above a dark console table by a window
Untitled (Collage 3) by Aurélien Couput, shown in situ above a dark console table by a window
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Untitled (Collage 1), Untitled (Collage 2) and Untitled (Collage 3) by Aurélien Couput, shown in situ together
Untitled (Collage 1), Untitled (Collage 2) and Untitled (Collage 3) by Aurélien Couput, shown in situ together
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Untitled (Collage 3) by Aurélien Couput, detail of the upper-center area
Untitled (Collage 3) by Aurélien Couput, detail of the upper-center area
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Untitled (Collage 3) by Aurélien Couput, detail of the mid-center area
Untitled (Collage 3) by Aurélien Couput, detail of the mid-center area
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Untitled (Collage 3) by Aurélien Couput, detail
Untitled (Collage 3) by Aurélien Couput, detail
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Untitled (Collage 3) by Aurélien Couput, detail
Untitled (Collage 3) by Aurélien Couput, detail
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Untitled (Collage 3) by Aurélien Couput, detail
Untitled (Collage 3) by Aurélien Couput, detail
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Untitled (Collage 3) by Aurélien Couput, detail
Untitled (Collage 3) by Aurélien Couput, detail
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Untitled (Collage 3) by Aurélien Couput, full view of the work
Untitled (Collage 3) by Aurélien Couput, full view of the work
Aurélien Couput French, b. 1979
Untitled (Collage 3), 2023
Drawing and collage on paper
14 1/2 x 11 in.
36.8 x 27.9 cm
36.8 x 27.9 cm
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These collages are made parallel to his painting practice. He has a collection of source materials around his studio. The pieces start in his sketchbook, and he uses pages from...
These collages are made parallel to his painting practice. He has a collection of source materials around his studio. The pieces start in his sketchbook, and he uses pages from vintage magazines and newspapers, typically from the 1950s, 19960s, 1970s, and 1980s. He adds or tears to reveal drawings underneath, not unlike public torn-down posters.
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